Wednesday, September 28, 2011

I Can't Pick One!


Today’s RTW question from YA Highway: What was the best book you read in September?

Miss Peregrine's Home for Peculiar ChildrenThe Girl of Fire and Thorns












I have to admit—it’s been one of those busy months where I’m reading nonstop. Currently I’m in the middle of three different books and two manuscripts. Yep, crazy! But, two of the books I’m enjoying right now are The Girl of Fire and Thorns by Rae Carson (should be included in everyone’s fantasy reading list!) and Miss Peregrine’s Home for Peculiar Children by Ransom Riggs (so creative!). I don’t know which will become my favorite for the month—so let’s just say it’s a tie TBD later! Has anyone read both books yet? 

Monday, September 26, 2011

National Book Festival


This weekend I was able to visit my best friend, Heather, in Washington, DC—yay! It was so great to see her. We planned our get together this particular weekend because it was the National Book Festival.






Here are some of the highlights of the Saturday speakers:

Toni Morrison: Did you know that the Beloved author was also an editor for years and years? It was great to hear her talk about that side of her career!

Sarah Dessen: I loved her bit of writing ‘advice’: “I always eat two pieces of chocolate before writing.” Since she clearly had a fantastic writing career, I think I should just channel her talent by also having two pieces of chocolate before I write!

Katherine Paterson and John Rocco: I had already heard the fantastic Katherine Paterson speak last spring, but she surprised us by inviting John Rocco, the illustrator for Katherine and her husband John’s most recent book, The Flint Heart. I immediately liked John Rocco when he said: “I feel uneasy when I walk into people’s houses that don’t have books. As soon as I see bookshelves I feel comfortable. I know these are good people.”

Cassandra Clare: She told the most fantastic stories of her, Holly Black, and Sarah Rees Brennan doing research for their books. Like breaking into a deserted building on Roosevelt Island so Cassie could use it as a setting for her Mortal Instruments series and Holly horribly covering for her when the cops showed up…or Cassie driving Holly around in the trunk of her car so that Holly could accurately write about a kidnapping in her Curse Workers series…or the three traipsing around London taking pictures of Victorian buildings only to discover that there was a person in that window, and he was naked! Having met both Holly and Sarah I can just imagine the fun adventures they’ve had together!

Brian Selznick: He is a genius. I’m sure of it. The amount of research that goes into his books is astounding and the way he pursues his projects really shows he thinks book making is art; it’s not just about the plot or characters, it’s about what turning a page means and how each word or image interacts with each other word and image but also the reader. I just could not believe how thoughtful he was. I haven’t yet read The Invention of Hugo Cabret or Wonderstruck—the $30 price tag is a bit high for my budget—but I’m definitely checking them out from the library asap and will hopefully catch the movie adaptation of his first book, Hugo, this winter.


So, there you have my and Heather’s adventures…I hope to return to the National Book Festival again next year!



Friday, September 23, 2011

Banned Book Week

Next week (Sept 24-Oct 1) is Banned Book Week. As a reader and an editor, I cringe at the idea of kids not being able to read a book they want—and I hope you feel the same way! Books are banned for various reasons—sexual or violent content, harsh language, questionable material according to a religious group. But sometimes—often times—those banned books might be just right for a teenage girl who wants to learn more about her sexuality, or a teenage boy who wants to read a book that reflects his reality, or kids who have no intention of reading at all, only to fall in love with a series and become lifelong book lovers. One book can affect its reader is so many different, and necessary, ways. It isn’t fair for us, as adult gatekeepers, to choose what books we want kids to have access to. A book can change a life.




Here are some resources for the upcoming week from the American Library Association:





   
As for me, I’ll be reading some of my favorite banned books in the park, on the subway, in my home. Happy reading!

Wednesday, September 21, 2011

Go Ahead, Judge


Today’s RTW question from YA Highway is: What are your all-time favorite book covers?

Having sat in meetings where designers are presenting and tweeking and defending and changing their cover choices to editors and sales people, I know how much thought goes into book covers. Not one inch of the jacket is ignored—from the model’s left eyelashes to the curve of a letter in the title. There are plenty of jackets out there that are good and representative of the novel it’s covering. Then there are book covers that speak to me and make me pick up the book without knowing a thing about what’s inside. When you find a cover that does both, you’ve found a perfect cover. Go ahead and judge these books based on what they look like! My favorites tend to fall into three categories:

The pretty dresses:

I swoon for gorgeous, breathtaking dresses and covers like these tend to hint to my favorite genres, fantasy and historical (or even better, a combination of both!).

A Great and Terrible Beauty (The Gemma Doyle Trilogy)
Princess of the Midnight Ball
The Luxe

The iconic:

Something a little different that’s impossible to forget. The jacket for The Replacement, especially, is one that made me buy the book on looks alone.

Twilight (Twilight, Book 1)
Divergent
The Replacement


The I’m-not-sure-what-technique-this-is-but-I-like-it:

Is this reminiscent of wood cutting? Block printing? I’m not an art or design person, but images like this really appeal to me for their deceptive simplicity.

The Evolution of Calpurnia Tate
Shiver (Wolves of Mercy Falls)
Pretty Monsters: Stories


What kind of book covers to do you like? How representative of the title does the jacket have to be? Or do you just want it to be pretty and eye-catching? 

Monday, September 19, 2011

Why You Have To Have A Job You Love


Anyone who has read more than one post on this blog knows that working in children’s editorial was my dream job, and now that I’ve had it for almost a year(!), it still is. The talented authors who write the most fascinating books, the top-notch editors from whom I can learn so much, and did I mention the books?

One of our fantastic authors, Charles Benoit who wrote You, has another book coming out next summer called Fall From Grace. I won’t—I can’t yet—tell you much about it, other than it’s mind-blowing and thought-provoking. The situation one of the characters is in and the advice he receives, however, has got me thinking about why it’s so important you have a job you love.

The first advice the main character receives is the old adage, “Find a job you love, and you’ll never work a day in your life.”

The meaning behind the quote is kind, but the message is so not true. I have a job I love, but it is what it is—a job. Work. I wake up to an alarm that goes off hours before I’d like it to.  I deal with the unfriendly, uncooperative, crowded commute typical for a New Yorker. I work at least eight hours a day, five days a week in the office. I have not, for the past three weeks, taken a longer lunch break than walking to the bank three blocks away. I attend industry events in the evening, hoping to make a contact—be that an agent, an author, or an editor at another house—that will somehow provide advantageous in the future. I take manuscripts home to read on the weeknight and weekends. I continuously read books published by our competitors so I know what is out there and can speak and act knowledgably related to industry trends.

All of the above? It’s work. It’s getting less sleep than I’d like. It’s giving up time to spend with friends or family or even, if it’s what I like, in front of the tv. It’s what I do to support myself—pay my rent and bills, save for the future. That’s what a job is.

The other advice the character gets in Fall From Grace: “Find out what it is you like to do, then go and do it.”

This is key. I do all of that listed here because, yes it’s my job, but more importantly, because I feel my job is worth those sacrifices to my sleep pattern, my social life. It’s what I want to be doing. When I was sixteen and had my first job as a sandwich maker—that was only my job to earn money for college. It was solely a financial arrangement. So when the opportunity came for me to leave that position and rise to department store associate (ooh, ahh) I did not look back. Sandwich making was not a career in which I felt fulfilled. I was not willing to wake up at 8am on a Sunday to ask if you wanted the 6-inch or the 12-inch, and would you like a value meal with soda and chips? I did not care if we sold more sandwiches than the rival shop down the street. Publishing, on the other hand, in an industry I’m invested in, and my work as an editorial assistant is worth the time and effort I put in. I love what I do—helping authors produce the best book possible so that everyone can read it.

A job, by definition, is paid work. But having a job that I’d keep even if I won the lottery? It’s work that I am meant to be doing.

Friday, September 16, 2011

Writers Writing about Writing


I won’t lie—this week has been way too busy for me to come up with something thrilling to post today. Luckily, there are a lot of brilliant peoples—authors, to be exact—who have lots to say on the subject of writing that is definitely worth sharing. Here are two of my favorites that I’ve wandered across lately:



Happy weekend!

Wednesday, September 14, 2011

Over and Over Again


Today’s RTW Question from YA Highway: What themes, settings, motifs, scenes, or other elements do you find recurring in your work?

This is such a good question and I wish I had more time to answer it…but I’m determined to post something earlier than 6pm! Some recurring elements I find in my work are:

·        Non-conventional endings: My WIP The Rose of Coracus does not have the ‘the boy and girl are together happily ever after’ ending. Because it’s not right for the pair. Perhaps it’s the bit of feminist in me, but I don’t think books—even romance-driven YA—need to have that conventional conclusion. If it’s not right for my characters, it’s not going to happen in my manuscript.

·        Patience: This relates to the first point. I was surprised to see that many of my characters have to exhibit non-teenage-like patience. They have to wait for what is right for them, work towards it even if it takes a long time. In this regard, I feel like my characters have a lot to teach readers—and me!

·        Female-Centered: Many of my manuscripts have scenes where women need to work together to stand up against patriarchy (an evil king, the Princess’s father, in Dueling Princesses for example) or highlight female-centered networks of support. (My goodness, I am a feminist!)

·         On a more superficial level, I doubt I will ever write a fantasy book that doesn’t include gorgeous dresses, quasi-medieval setting, a ball, and royalty!

Do you have any themes or such that reoccur in your writing? Share!


Also, last chance to help me out and let me know what you’d like to see here!